Helmed by Portishead co-founder the musician-producer, this scabrous though slight first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (Marc Bessant) initially steals from an passed-out supplier, then in another flashback tries to break into his own parents. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Grimly Amusing Confrontation
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into past scenes of his normal activities. The central theme – that the ecstasy generation were primarily out for number one – is clearly conveyed. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman arrives, enraged after David kills his dog. Still, a grimly amusing duel takes hold – David desperate to escape; the Woodsman withholding his jerrycan of scrumpy, determined to soaking him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.
Stylish Imagery and Promo-Inspired Sensibility
There is only one key story turn, but it results in a comically executed rampage on the forest trails that dips close to rural terror. Director John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing artful shots of insects in the light in the early stages, he now lets rip with the full lysergic grand display, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.
The film releases in UK and Irish theaters from 17 November.
